Mudra

In Hinduism, a mudra (Sanskrit, literally "seal") is a symbolic gesture made with the hand or fingers. Along with asanas (postures), they are employed in yoga meditation practice. Each mudra has a specific meaning, and they are a central part of Hindu iconography. With the onset of Buddhism, many mudra practices were absorbed into the culture. Common hand gestures are to be seen in both Hindu and Buddhist iconography. An example would be the outward-facing open palm known as Abhay (without fear) mudra, a gesture meant to dispel the fear of the devotee.

Abhaya Mudra

Abhaya Mudra represents protection, peace, benevolence, and dispelling of fear. In the Theravada it is usually made with the right hand raised to the shoulder's height, the arm bent and the palm facing outward with the fingers upright and joined and the left hand hanging down on the right side of the body while standing. In Thailand and Laos this mudra is associated with the walking Buddha often shown having both hands making a double Abhaya mudra that is uniform. The mudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching strangers. In Gandhara Art it is seen used during showing the action of preaching and also seen in China during the Wei and Sui eras of the 4th and 7th centuries. The gesture was used by the Buddha when attacked by an elephant subduing it in shown several frescoes and scripts. In Mahayana the northern schools deities were often used it with another mudra paired by the other hand. In Japan when the Abhaya Mudra is used with the middle finger slightly projected forward it is a symbol of the Shingon Sect. (Japanese- Semui-in; Chinese- Shiwuwei Yin)

Bhumisparsa Mudra

Bhumisparsa Mudra literally represents the Buddha as taking the earth as witness. It represents the moment when Buddha took the earth as testimony when he had resolved the problem of cessation of suffering while he was under the papal tree at Bodh-Gaya. Usually represented by the historical Buddha and Aksobhya sitting in the lotus position. The right hand touches the ground with the fingertips near the right knee extended or with only the index pointing down touching the ground with the left hand commonly resting on the lap with the palm facing up. It can also represent the subjugation of the demon horde of Mara. Aksobhya is often seen using this mudra while clutching part of his rode with his left hand. In Korea confusion of the high period led to rare imagery where Amitabha was using the Bhumisparas Mudra. (Japanese- Goma-in, Anzan-in, Anchi-in, Sokuchi-in; Chinese- Chudi Yin)

Dharmacakra Mudra

Maitreya displaying the Dharmacakra mudra

The Dharmacakra Mudra represents a central moment in the life of Buddha when he preached his first sermon after his Enlightenment, in Deer Park in Sarnath. Gautama Buddha is generally only shown making this Mudra, save Maitreya as the dispenser of the Law. This Mudra position represents the turning of the wheel of the law. Dharmacakra Mudra is formed when two hands close together in front of the chest in Vitarka having the right palm forward and the left palm upward, sometimes facing the chest. There are several variants such as in the frescoes of Ajanta , India the two hands are separated, and the fingers do not touch. In the Indo-Greek style of Gandhara the clenched fist of the right hand seemingly overlie the fingers joined to the thumb on the left hand. In pictorials of Horyu-ji in Japan the right hand is superimposed on the left. Certain figures of Amitabha , Japan are seen using this mudra before the 9th century. (Japanese: Tenborin-in, Chikichi-jo, Hoshin-seppo-in; Chinese: Juanfalun Yin)

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